Performance tests are conducted using specific computer systems and reflect the approximate performance of MacBook Pro. Prerelease Final Cut Pro 10.6 tested using a 1-minute picture-in-picture project with 7 streams of Apple ProRes 422 video at 8192x4320 resolution and 30 frames per second, as well as a 1-minute picture-in-picture project with 30 streams of Apple ProRes 422 video at 3840x2160 resolution and 29.97 frames per second. Testing conducted by Apple in September 2021 using preproduction 16-inch MacBook Pro systems with Apple M1 Max, 10-core CPU, and 32-core GPU, 64GB of RAM, and 8TB SSD.Now you can edit and format any of these parts using the skills you’ve learned. Choose Document > Edit Part > Piano and Voice.Under Available Instruments, choose Piano.Under Available Instruments, choose Voice.Click Edit Part Definition to expand the window.Select one of the parts to display, in the center column, which staves are contained in this part, and, in the far right column, which staves or groups are not. The column on the far left shows you all the parts as they currently exist in this file. This window gives you control over your parts, their names, and what staves are contained within each. In this lesson we'll create a new part that includes the Voice and Piano staves. But what if you want to print a part that has just the piano and the vocal lines? Finale lets you easily create grouped parts and rehearsal scores. Finale automatically groups some instruments together (such as the piano in this example). Sometimes, you may find you need to group specific instruments together for printing. For a complete list of linking behavior between the score and parts, see Linked Parts. The Selection tool can move any marking, and is therefore the quickest way to make these detailed adjustments. Try editing other markings on the part articulations, expressions, or smart shapes. To hear notes you enter in concert pitch, choose Document > Display in Concert Pitch. When you enter into transposing staves you hear the transposed pitch, and not the concert pitch. In general, changes to notes are always reflected in both the score and parts when editing either. Notes added in parts are also added in the score. They are linked.
Choose Document > Edit Part > Clarinet in Bb.Īt this point, you can format the part for printing.Since we have changed formatting settings on the parts, we want to replace the parts with new ones that carry these settings. A window appears telling you that you are about to replace the existing parts. Make sure Create Multimeasure Rests is selected.In this window, you can tell Finale to generate multimeasure rests, apply music spacing and fit a certain number of measures per line. Many of the changes you’ve applied to your score can also be applied to all parts at one time. Part Creation Preferences – What it does: Finale introduced parts for this file automatically when we ran the Setup Wizard, which are perfectly adequate, but we will replace those with new parts to demonstrate some of the options available to you. Changes to notation in either score or part applies to the other respectively, but many elements in parts, such as expressions, text, and formatting can be edited independently. Edits to music in the score also apply to the part. Parts are integrated within the score and the content is intelligently linked. To begin at this point, open "Tutorial 7b.MUS." Generating parts Format each part while preserving the score.When you create a score with the Setup Wizard, Finale begins the task of creating individual parts for each instrument.īy the end of this lesson you will know how to: You are here: Finale Tutorials > Tutorial 7: Formatting your music > Parts Parts